2011 Oscar Fashion Roundup

Oscar 2011 will be remembered as the red, white, and nude year. Here are the reds:

Let's start with my pick for this year's Best Dressed: Anne Hathaway! I LOVED the Valentino gown, and the fact that Valentino walked her down the red carpet. I was amused that Valentino kept stressing that the gown was "Valentino Archive," but when Tim Gunn asked him what an "Archive" gown is, Valentino couldn't really answer the question (I looked it up...it's apparently a project his foundation is working on).

I actually saw Jennifer Hudson on one of the network's 'worst dressed' lists, and couldn't believe it. This was also one of my top picks. I felt she positively glowed in the beautiful color, and loved the draping. I do realized she's wearing more of an orange/tangerine, but I'm lumping it into the red category.

Sandra Bullock also joined the ranks of the power-red gowns in Vera Wang. I kinda like the gown from the front, but it has a big bow right on the butt. I just don't think butt-bows are a good idea. This picture doesn't show it, but her hair was a mess (it was in some sort of a ratty/lumpy updo that I didn't like).

Scarlett was wearing more of a burgandy than red, but I'm including her in this category. I really didn't care of the gown, but I know many will disagree. I read somewhere that the gown was lingerie inspired. Again...hated the hair. All messy.

I just don't like the gown Jennifer is wearing, but I understand that she's young so she might have wanted an understated or simple gown. Definitely fits with the red trend.

Penelope Cruz also showed up wearing red. I read some rave reviews of this gown. Personally, I don't think it's that flattering (though power to her for picking this gown one month after giving birth). And Penelope...you ALWAYS pick this shade of red (seriously...check out her gown last year). I know it's pretty on you, but could you surprise me once in a while?

This may or may not belong in the 'red' category. When I watched the red carpet show, the gown was definitely purple (and the commentators referred to it as purple). But then in the theater it definitely became burgundy, and the commentators referred to it as a raspberry color. Either way, it was very pretty and Natalie is glowing with her pregnancy.

And now we move to the white/nudes. Nicole Kidman is usually such a fashion icon on the red carpet, but this one was a miss for me. I love the fabric and the beading...I just don't like the draped detailing at the hip. I know Nicole doesn't have to worry about extra pounds, but I can't support any fashion trend that sets out to make hip hips/butt look bigger than they already are.

Cate Blanchett's gown was also a miss for me. I like the fabric and the tone-on-tone beading...I even like the interesting cut-away circle on her torso that reveals a layer of soft pleated silk. But then there are those weird draped shoulders and the canary yellow beading at the neckline.

Ok, Gwyneth was totally HOT in Calvin Klein! I already know my mom disagrees with me on this one. Seriously, though, how HIP does she look? The sequined gold gown with the rocking jewels at her hip. That plunging neckline is amazing. We should all be so lucky in our 40s.

And then she went and ruined it all by wearing this dowdy shapeless dress without a bra. Really didn't like this one.

Michele Williams is also wearing a nude gown that critics have raved about, but I just don't care for. There's nothing interesting going on here. It's also a little matronly on her.

I really didn't like Melissa Leo's mirror-crusted gown. The neckline has a little bit of appeal, but they you add those boxy shoulders and all those mirrors it's just a mess. Does she get seven years of bad luck for all those broken mirrors?

Mandy Moore looked very pretty in this sheer tulle gown.

And Halle Berry's gown was STUNNING! Another favorite of the evening. All that wispy tulle, and the tone makes her skin positively glow. LOVED this.

Hailee Steinfeld looks great in her nude-colored gown as well. The dress is sweet and very age appropriate while still having some very nice glam (look at all that embroidery over the tulle)

Colin Firth walked the red carpet with his wife Livia. Her gown initially only caught my eye because it was fitting in with the nude trend I was seeing. But I read up a bit more on it: turns out it's an eco-friendly gown. 11 gowns were cut up and recycled into this beautiful gown. I admit I was hoping that the gowns would be ugly 1980 frocks that no one would miss, but was a bit horrified to learn that they were apparently from the King's Speech era. I just hope the designer chose to recycle gowns that could not be salvaged.

I really don't care for this gown at all, and I know it's more yellow than nude, but I'm including it as a final nod to the white/nude trend.

Hillary Swank has shown up on lots of the worst dressed lists, but she's one of my favorites this year. I loved the way her gown moved on the red carpet. The ombre design and the feathers were fun. What's not to like?

This gown doesn't fit into any of this year's trends, but isn't it gorgeous? It takes the right kind of body to pull off a gown like that, but Camila Alves did (Mathew McConaughey's date)

Reese Witherspoon's dress was a bit understated for my taste, but the simplicity seemed to work for her. It was also made to fit her like a glove. Her hair and makeup also looked so pretty during a red carpet interview. The lady has class.

Marissa Tomei is wearing a vintage gown. I initially liked it when I saw it on the red carpet show, but the more I've looked at it, the more I've decided it was a miss. The neckline doesn't fit her very well. What do you guys think?

I did not like Mila Kunis' gown at all. The lavender is a nice color on her, but I just don't care for the neckline. The lace cupping her breasts looks a little trashy. The rest of the gown looks like it has lots of little windows.

Man I did not like Amy Adams' dress. And why is she wearing Emeralds with navy blue? Didn't work for me.

I don't know what Annette Bening was thinking with this gown. Maybe if it didn't have all those horizontal diamond stripes...

Ok...I can't pick on Helena Bonham Carter too much. She's too easy a mark, and I actually like that she's a free spirit and dresses the way she wants. Let's just say I liked the neckline, and that's about it. Apparently Coleen Atwood (the Alice in Wonderland Costume designer) helped to put together this ensemble. It was some sort of anti-red-carpet fashion statement

I LOVE that Hugh Jackman is married to a normal-looking woman. His wife is pretty, but she's not a six-foot model bombshell. That being said...I do not know what's going on with her dress. I think she might be carrying a wrap or coat, and maybe that's where all the feathers are coming from. But this this camera-angle, she's my top-pick for worst-dressed this year.

So as a finale to the Oscar Roundup, let's talk about Anne Hathaway's amazing ability to change gowns. I actually liked her last gown. It was edgy and made me feel reassured that Christopher Nolan had made the right selection for Catwoman in his upcoming Batman movie. The gown reminds me a bit of the costumes from Chronicles of Riddick.

Wow do I not like this Armani Prive gown. It just screams yucky synthetic fiber fabric.

Aha! Even Anne Hathaway did a red gown this year! This Atelier Versace is gorgeous. What's not to like?

I guess this dress was a lot of fun because of the tassels, but I'm not sure the Oscar de la Renta gown was my favorite. I think I might have liked it more without the tassels. The shape of the gown is stunning, and I love the one-shoulder look on Anne.

How can I resist a Vivienne Westwood gown? Need I say more?

Another one of my favorite gowns of the entire evening. Givenchy Haute Couture gown, stunning beading, and fits in with the white/nude trend. I love this gown. It's sophisticated. It sparkles. It has a bit of Greek Goddess going for it. The fitted bustier top is flattering on anyone. Definitely a hit with me!

I'll sign off a final note. Apparently Anne Hathaway wore millions of Tiffany & Co. jewelry throughout the show. She had jewelry to go with every outfit, and one necklace alone cost 10 million...94 carats worth of diamonds (small beans when you consider Nicole Kidman was wearing 150 carats last night). Her rep denies it, but Anne was reportedly paid $750,000 by Tiffany's to wear the jewelry. Where has this job been all my life, and where do I sign up?

Williamsburg's Milliner Shop

I LOVE the Milliner shop in Williamsburg. I've been very lucky to have met most of the ladies from the Milliner shop at various workshops I've attended. If you're on the east coast, check out Burnley and Trowbridge's website to see their fall and spring workshops. They work with both the Tailor and the Milliners of Williamsburg.

Last weekend I spent some time in the Milliner shop. (Disclaimer: all photos below are from the Milliner shop's Facebook page...I apparently was enjoying myself too much to take any photos).
I found out that there is an AMAZING symposium coming up on colonial accessories. I'm dying to go, but the cost has prevented me from rushing to the website to sign up. The conference alone is $300...without any of the fun tours and workshops that I would definitely want to add on. I would also have to take three days off from work...and I'm trying to save my vacation days to go see my nephew in Vegas. That being said, there are talks featuring Linda Baumgarten (curator of costumes at Colonial Williamsburg) and Susan North (the curator of fashion at the Victoria and Albert Museum). There are lots of other amazing talks! I may still talk myself into this event...

There will be a new exhibit at the Williamsburg museum on 18th century accessories opening in January. The Milliner shop worked on recreating some amazing gowns and then produced a film featuring the gowns and accessories for the exhibit. When Dave and I went in to Williamsburg in September, we watched the ladies work on the yellow silk jacket and black Calesh hood from this image (they even had the image on display at their work table):The Milliner's facebook just posted pictures from the film production. Isn't this reproduction amazing?

Finished Tudor Hood

So it's taken three weeks of gathering beads/pearls, but I've finally completed the French hood. I found pearl necklaces at Nordstrom Rack for 3 times less than a bead store. I ordered lots of beads from Firemountain.com. Only about 1/4 of those worked for the project...the rest are going back. Finally, I've visited about 4 specialty bead stores, and finally found the pretty red crystals this weekend.
So above is my French hood, and below is Anne Boleyn in her French hood.
This shot shows that the hood isn't really sticking straight up...it slopes back gently.And here's a side shot of the hood...Compared with an early portrait of Princess Elizabeth (later Elizabeth I).
I'm pretty pleased with the final version. Now I just have to get my hair to cooperate and tuck up into the hood. Copious amounts of gel will no doubt be required to tame my bangs into submission.

Tudor Hood Progress

More progress! I would have finished the project this weekend, but I didn't have the beads I need for the billaments. Finding fake pearls, garnet colored beads, and gold colored beads has been impossible! I keep visiting bead stores, and all they carry is the real deal...where the gold beads are $2 a piece, pearls come on tiny $12 strands, and garnets come on $60 strands. I've tried the internet, but I have a hard time picturing the right size, and how they'll look next to each other.
My silk arrived from Thailand this week. I cut out the black silk pieces and basted it onto the buckram base. Then, I cut the same pieces out in white linen, and sewed the linen on the inside of the crescent and base. This secured the taffeta in place, and I could remove the large basting stitches. With the two pieces finally completed, I sewed the crescent to the base, and the photo above is the result.Next, I took a long strip of gold organza silk, ran gathering stitches, and then steamed the gathered silk to set the pleats. Then I sewed the strip in place. This part of the hood was referred to as the 'crepine.'Finally I sewed the veil to the hood. The veil is essentially a tube of black silk that's attached along the top edge of the crescent.

So what do you think so far?

French Hood

I'm still waiting on some fabric to arrive, but my buckram arrived this weekend so I decided to work on my French hood. I cut out the pattern pieces in buckram first:

And then I sewed millinery wire around all the edges of the pattern pieces. Here's the crescent pattern piece:And here's the brim:Next, I sewed baby flannel to smooth the surface of the pattern pieces. The Tudor Tailor book called for using something called 'domette,' but I couldn't find any. It's apparently a British fine flannel. I had some leftover baby flannel from my Gainsborough hat project, and it was just enough to cover both the hood and the crescent.Next up will be covering the pieces with black taffeta, sewing the crescent to the brim, and then sewing on the veil and decorations.

Tudor Project: Progress!

I am pleased to report actual sewing and progress on the Tudor project. This weekend, I cut out the mock-up for the kirtle and sewed it up. Once again, the mock-up has proved to be an invaluable tool...the first draft was two sizes too small. So...I retraced everything, cut it out again, and then sewed up the second mock-up. This one works nicely. I forgot to take a picture while I had it on my fitting dummy, but here's a rather unimpressive photo of it laid flat:I've ordered all the fabrics I need for the kirtle, and have to wait a few days for things to arrive in the mail. I'm using black taffeta for the kirtle. Since the taffeta isn't actually going to show, I'm doing something I don't normally do - I'm using polyester taffeta instead of silk. I've also ordered canvas for the interlining and some metal boning for the side seams (otherwise I'm using reed and have plenty of it).

Since I'm waiting on fabric to arrive, I thought I'd get a head start on the hood and start drafting the pattern. I used the Tudor Tailor, and transferred the pattern using one-inch grid paper. This is the first time I've ever transferred a pattern from a book instead of using a full size pattern. I think it went really well. Here's a copy of the pattern next to the book:I've gone ahead and ordered the buckram/silk taffeta/silk organza that I'll need for this project as well. I already have the felt and millinery wire.

In other very old and unrelated news, I went to the Gettysburg reenactment this year back in July. I'm not that interested in reenacting...I was really just there for the sutlers. To my delight, one of my favorite sutlers from Gettysburg was there: Abraham's Lady. They had a reenactor on hand to display this wonderful confection of a dress:I'm not sure how many yards of ribbon it took to trim this dress, but it's pleated by hand with a pearl hand stitched at each pleat. I believe they said it took something like 20 yards of silk to make the dress at a total cost of $2000. They described the silk as "oriental" and that it had red and blue threads woven together to give it a changing purplish hue. I thought it looked like changeable silk taffeta, but I was rather firmly informed that there was "no taffeta in the fabric." I always thought taffeta was a weave vs. fiber content. Anyone else care to speculate on the fabric?