Don't you love the lining I picked out?! Burnley & Trowbridge had a lovely gingham/checked blue linen. I couldn't stick with plain white both inside and out (boring!), and since plaid linings are period, I decided to go for it.
Monday, May 30, 2011
18 Century Stays Progress
I'm working on a commission (also an 18th century pair of stays...I'll post photos when I'm done), so progress on my own half-boned stays has been slightly slower than normal. However, I got all the boning channels sewn in...
...added the boning (I'm using German Plastic boning), tacked down the inner seams...
...and assembled the lining.
All that remains is to hand bind the eyelets raw edges (this is most time and labor intense part of 18th century stays for me).
Don't you love the lining I picked out?! Burnley & Trowbridge had a lovely gingham/checked blue linen. I couldn't stick with plain white both inside and out (boring!), and since plaid linings are period, I decided to go for it.
Don't you love the lining I picked out?! Burnley & Trowbridge had a lovely gingham/checked blue linen. I couldn't stick with plain white both inside and out (boring!), and since plaid linings are period, I decided to go for it.
Wednesday, May 25, 2011
Late 18th Century Stays
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Unlike her fully boned stays, I've experienced some fitting issues with this pattern. I usually really like JP Ryan's patterns, but I've had some frustrations with this pattern. It might have actually been the same amount of work to scale up a pattern from one of my costume books. I had to redraft the pattern, shortening it by 2.5 inches, adding 4 inches in the bust, and shrinking the waist by 2 inches. I had to make two mock-ups - my edits made the pattern the correct proportions, but it was too large. Here's my first mock-up (clearly too big)
Saturday, May 21, 2011
Civil War Cage Crinoline
While I already own a hoopskirt, it's made as a petticoat with sewn-in channels. It's very similar to this cage crinoline at the MET. All the fabric (in addition to the steel) is surprisingly heavy. It's from the popular Simplicity pattern, but it's too long and is constantly scraping the ground. I could fix that, but it's also very large and not really designed for day-wear. I decided I'd like a new set of hoops, and wanted to try making a cage crinoline, like this one at the Victoria & Albert museum:
I purchased a fairly straight forward kit from Originals By Kay, and was able to put it together in an afternoon with my husband's help (I really don't like having to use the bolt cutters to cut the hoop wire). My dress dummy was a lot of help. It seems like period crinolines had many more hoops than modern reproductions, but our hoop steel is very different than what they had available during the civil war.
The hoops are 108 inches in circumference, and are not an exact bell shape since they are ever-so-slightly larger in the back. That way my skirts will be more voluminous in the back.
I would definitely recommend Kay's kit for convenience and ease of construction. There wasn't enough tape in the kit for me to make my waistband, but I have enough ribbon/tape lying around that it wasn't a problem. I admit I'm curious about the Truly Victorian hoop pattern since it includes a bag hem (you're less likely to put a foot through a hoop). Has anyone tried out the two different hoop styles?
I have a petticoat that will work with these hoops, though I know I should really make a new pair that:
A) Fits better
B) Has a flounce
C) Is neither too short nor too long
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I have a petticoat that will work with these hoops, though I know I should really make a new pair that:
A) Fits better
B) Has a flounce
C) Is neither too short nor too long
Thursday, May 19, 2011
Completed Civil War Corset
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