


The Costume Journal is dedicated to my adoration of luscious silks, bundles of historical patterns, sewing projects, and every costumed event that has ever given me an excuse to make a new outfit from a by-gone era.
What happens when one has entirely too much time on one's hands?? You finish the project that was suppose to keep you entertained for the next month in one weekend. Wrapping paper wings still to come, though.
One of the biggest challenges on this project was dealing with the various fabrics I had purchased. The sequins on the purple fabric have been glued on. Every time the needle ran through a sequin, some glue residue would coat the the needle. Then the thread would start sticking to the needle, and would break. This sometimes happened every 3 inches. It drove me crazy. Below is the leaf collar: this process involved several broken thread crises.The nice pinkish fabric and the green organza would ravel if you looked at them funny. A lot of the edges in this costume were left raw and were not finished...which caused problems. I solved this by using fray check.
Another source of frustration was attaching the skirt to the bodice. The skirt is several layers. First, you attach 10 petals to the bodice, and it looks like this:
After this, you cut three ENORMOUS skirt panels - a good two times taller then I am for a child-sized dress. Then I did the same with purple tuile. Then, I sewed the skirt and tuile together, and gathered it to fit the bodice. There was so much fabric, I had to gather it up as much as possbile for it to fit. Then there was the problem of attaching this massive skirt to the waistline. This picture tries to give you an idea of big it was: I had a hard time getting the fabric to fit under the sewing machine foot.
I think my favorite part of the costume is the adorable little flower petals hat, complete with a stem. It went together without a fuss, and I think is should look absolutely adorable!
For the oversleeves, I'll use a matching deep red velvet. Now I just have to save up the money for the fabulous fabric.
I'll need to make a linen shift to go underneath the gown: the puffy sleeves of the shift are pulled through the slashings of the sleeves to show through. If I have the patience, I could also do blackwork (or spanish embroidery) to complete the look of the shift. I have no clue where to get the pattern for the chemise, and would like to avoid purchasing another pattern, but the well known elizabeth 'smock' generator doesn't have the required puffy sleeves. I'm planning on trying to use my 18th century stays instead of making yet another corset, and I've already got a set of farthingales (aka hoops from the time period).
For accessories: I'm going to make a french hood to go with the dress, and I've also found a great place to purchase necklaces/girdles/and billaments for the dress called Sapphire and Sage.
*I tried pinning the stomacher to the dress, and after stabbing myself repeatedly with the pins, and then still having the stomacher move and pull around, this is required. Kendra, of Demode, did this on her dress and it looks great.
Here's the finished lining. Inbetween my last post, I became paranoid about the changes I'd made to the neckline of the muslin, so I went ahead and made up a muslin Robe and sewed it to the muslin of the lining to make sure it fit. Surprising, everything went together just fine, so I went ahead and started making the final product.
The first thing I did was take apart the muslin of the lining, and then re-stiched everything together. When I'd been working on the muslin, I'd been using green thread, and hadn't been backstitching. I also attached the boning and ties to the back of the lining that will permit me to adjust the size of the dress (this is a really neat feature that allowed women to easily let their dresses out when they got pregnant). Other then needing a second person to help me adjust the ties in the back, everything is fitting nicely, so I added the eyelets to the front, and I'm now moving on to the Robe.